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Cultivating creative entrepreneurship: The Nest Collective (Kenya)

  • Tshepang Pooe
  • Oct 11, 2017
  • 2 min read

Whilst searching for creative collectives in Kenya, I stumbled upon a gem: The Nest Collective.

"The Nest Collective is a small army of thinkers, makers and believers living and working in Nairobi—

Together we explore our troubling modern identities, re-imagine our pasts and remix our futures. In all our works, we prioritize the acknowledgement and stating of our different individual perspectives and privileges, and our work strives to convey this dialogue.

Founded in 2012, the Nest Collective has created works in film, music, fashion, visual arts and literature such as the critically-acclaimed queer anthology film Stories of Our Lives, which has so far screened in over 80 countries and won numerous awards, and Tuko Macho—a groundbreaking interactive crime web series widely considered to be one of the best African TV series. The Nest Collective also founded HEVA—Africa's first creative business fund of its kind—to strengthen the livelihoods of East Africa's creative entrepreneurs."

With an on-site online shop, multiple projects ranging from Virtual Reality, Let This Be A Warning - A VR Short Film (2017), to fashion photography and story-telling Not African Enough: A Fashion Book (2017) (a personal favourite), The Nest Collective is an exemplary creative network cultivating creative entrepreneurship in Kenya, east Africa.

Without further ado, I've put together a visual showcase of Not African Enough: A Fashion Book (2017), a The Nest Collective project. The book is currently on sale and is available in two cover editions. Click here for further information.

(Images sourced directly from The Nest Collective website).

"Not African Enough" is a derogatory term routinely lobbed at African designers who step outside the narrow confines of what the world—and Africans—are told it means to dress, talk, think and be like an African. This book asserts our right to be more than enough."

Drawn by the irresistible allure of the red carpet, Wambui designs for everyone - from the genteel ingenue with ethereal whispers of chiffon, to the femme fatale bonded in figure-hugging leather. Woambui conjures unforgettable glamour in her construction of extravagant gowns, using special hand-done finishes and intricate embellishing techniques. Her cinematic, exquisite pieces are sensual experiments that make unapologetic statements about opulence and desirability.

My relationship with second-hand clothing a while back was very intense. By 2011, I knew the Gikomba clothes market in Nairobi like the back of my hand. You could blindfold me and put me in a corner of the market and I would know exactly where I was. I knew most of the vendors by name, and - despite my severe allergies- I still got an amazing rush going through piles and piles of these clothes, because I would find the most amazing things. As I  sorted through these infinite mountains of shirts - costing 50 shillings each - the parameters for making decisions changed, at that price, it's not really about cost any more, as it so often is with racks of brand new ready-to-wear clothing. I would like a shirt for particular reasons - not for its colour, but the buttons, or how the sleeves fit. It is here that I found myself stylistically. These open-air stalls were far more accepting of my curiosity than the air-conditioned boutiques we had in the few shopping malls in Nairobi then. These stalls have been - and still remain to a large extent - the places where most of Nairobi's and indeed...

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© 2017 by Tshepang Pooe​

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